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June 26th, 2008

PUSHING DAISIES Photos

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PUSHING DAISIES
by Nathaniel Wright
Directed by Brandon Hayes
Bailiwick Directors Festival 21

Costume Design by Brian von Rueden
Audio Engineering by David Ward
Stage Manager Lauren Platt Baker
Project Coordinator/Cover David Ward

Eric: AJ Durand
Louie: Jeffrey Fauver
Ernie: Evan Lipkin
Actor: Cameron Johnson

More Photos )

June 24th, 2008

Pushing Daisies.

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PUSHING DAISIES opened Monday night as part of the 21st Bailiwick Directors Festival. From left: Evan Lipkin as Ernie, Jeffrey Fauver as Louie, AJ Durand as Eric.

May 9th, 2008

(no subject)

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March 6th, 2008

Endgame.

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We are now in the Democratic primary endgame, and the party has a big decision to make.

Even if Clinton wins every remaining election by wide margins (much wider than she managed to get in Ohio and Texas) she still cannot mathematically win the majority of pledged delegates.

See a state by state breakdown of how bad Clinton's deficit is here.

A breakdown by congressional district is even worse for her, as discussed here.

So, Obama will go into the convention having a likely lead of 200 pledged delegates. Moreover, Obama's lead has been consistent throughout the primary season (having won Iowa, Obama has been ahead in the pledged delegates the entire time).

This means that the nomination will be decided by the superdelegates. But even then, Clinton goes in having to win about 200 superdelegate votes just to catch up with Obama.

(I maintain that if the position were reversed, this primary season would be over. If Obama were 200 delegates down going into the convention, there'd be massive pressure to give it up.)

So, the Democratic Party has a major decision to make, whether to continue to embrace the politics of the Democratic Leadership Council (DLC), Clintonian triangulation, big-money donors and a top-down Beltway mentality or refresh the party with the 50-state strategy (started by Howard Dean and the Democratic National Committee (DNC) in 2004 and which served the party so well in the 2006 election), a huge number of small donors and an extensive, localized ground organization. The Obama and Clinton campaigns have been case studies in the two different approaches. Clinton wins the states where the Democratic party has an established apparatus (California, New Jersey, Rhode Island). Obama wins the states where the party apparatus is non-existent or brand-new since 2004 or 2006 (Georgia, Idaho, Iowa). Clinton and Obama split the swing states (Ohio for Clinton, Missouri for Obama).

And so it comes down to the superdelegates and a choice between two political strategies: a top-down DLC-insider approach or a bottom-up 50-state approach. If the party chooses Clinton, reversing the pledged delegate vote and (in all likelihood) the popular vote, it will be at the will of the DLC-type superdelegates. It will be the final embrace of Beltway cronyism and the oligarchy of calcified congressional representation, big money and DC lobbyists...ironically for the first woman nominated by a major political party, it will be the ultimate victory of the "old boys' club." The general election will then become a tooth-and-nail fight for 50%+1 with an energized Republican base (not unlike 2000 and 2004). The party will also lose young voters and voters mobilized in congressional districts in play in majority-Republican states (which were only put into play by Dean and the 50-state strategy). This could end up a death-blow to the party, not necessarily in the short-term, but in building the party among young voters and activists in the coming years.

If the party chooses Obama, it closes the door on Clintonian triangulation, an over-hyped strategy that did not work for Gore or Kerry and which was repudiated by the 2006 Democratic takeover of Congress. It also cuts off a major mobilizing force for conservative Republicans: hatred of Hillary Clinton. It builds on the Obama primary ground organization to potentially lock down Missouri, Iowa and Virginia in the general election (and perhaps puts states like Mississippi into play for the Democrats--at the very least it will make McCain have to fight for them). Choosing Obama is also an embrace of a wide-ranging donor base which has not reached its donating limit. Moreover, it builds directly on the method (50-state strategy) Democrats successfully used to win Congress in 2006.

Most of you will also recall that I supported John Edwards until he dropped out. I am not enraptured by Barack Obama, but I will not (I have maintained since at least last June that I will not) vote for Hillary Clinton in the general election.

I was raised a "pull-the-crank" Michigan Democrat. But if the superdelegates give the nomination to Clinton, I will give up on the Democratic Party and register as an Independent.

February 20th, 2008

Incredible.

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According to a new American Research Group poll, George W. Bush's approval rating is at 19%.

Let that sink in for a moment. 19%. The lowest presidential approval rating in modern history.

Down from 34% last month in the same poll.

The Appeal of Barack Obama

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crouching boy
O the orator's joys!
To inflate the chest, to roll the thunder of the voice out
from the ribs and throat,
To make the people rage, weep, hate, desire, with yourself,
To lead America--to quell America with a great tongue


- Walt Whitman, from "Song of Joys"

February 19th, 2008

Wisconsin!

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Overheard on Wonkette:

"Clinton practices the 'old politics', you know, the politics where if you are a Democrat you somehow always make some tragic misstep and lose."

February 15th, 2008

Edward Hopper

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EDWARD HOPPER, the retrospective at the Art Institute of Chicago, is almost overwhelming. I may have to just live there until May.

Early etchings:





Early watercolors:



Lighthouses:





Cityscapes:



And then there were these:



















February 14th, 2008

ARTS!!!

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crouching boy
Today and tomorrow are Art Institute member preview days for both of these...





I will be there salivating after work tonight.

February 13th, 2008

No Pity for Hillary.

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crouching boy
Being defeated in a protracted, humiliating contest as her core constituencies slowly abandon her (Morning Edition: "Barack Obama won both men and women by about 60% in Virginia"...meaning he won PEOPLE by 60%) is only the beginning of the punishment Hillary Clinton deserves for her carefully manipulative politicking and enabling of the Bush administration for the past eight years, and most particularly her war vote.

She compromised her values--running roughshod over American justice and foreign policy in the process--in order to set herself up for a presidential run, and now it looks like those compromises will cost her the nomination. It isn't often that an American politician gets a comeuppance so deserved. And it is delicious.

A fellow Obama supporter mentioned that he feels a little pity for Clinton.

Save your pity for the dead in Iraq and the working poor at Wal-Mart, not for Hillary Clinton.

January 30th, 2008

Barack Obama for President.

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John Edwards is dropping out.

January 24th, 2008

Ma pavre chevalier!!!

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Lyric announced its 2008/2009 season today.

MANON MANON MANON MANON MANON!!!

Humpy hottie Nathan Gunn in The Pearl Fishers.



MANON!!!

Deborah Voight in Wagner's Tristan and Isolde (with an LA-inspired set by David Hockney).



Wait for it...Leoncavallo's PAGLIACCI. (Aaron Michael's comment was "Copycats! but are they doing it ON ICE?")

MANON!!!

MANON!!!

Plus Mozart's The Abduction from the Seraglio, Gershwin's Porgy and Bess, and (yawn) Madama Butterfly.

MANON MANON MANON MANON MANON!!!

manon. with nathalie dessay.

January 19th, 2008

Free Concert Tonight!

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FROM RUSSIA WITH LOVE

VOX 3, Chicago's new vocal music collective showcases the extreme beauty, power, and emotion of Russian music in From Russia With Love. This concert features the diverse vocal and piano music of Russian master composers Rachmaninov, Mussorgsky, Medtner, Tchaikovsky, and Scriabin, performed by talented young American singers with dynamic Russian pianist Irina Feoktistova. Sopranos Dana Campbell and Alexia Kruger join baritones Brad Jungwirth and Brian von Rueden.

Admission to From Russia With Love is free, although donations are welcome. The performance begins at 8:00 p.m. on Saturday, January 19, 2008 at Holy Trinity Lutheran Church, 1218 W. Addison Street in Chicago, IL. Join us to experience this beautiful and powerful music!

January 15th, 2008

Dubious Honors.

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I'm in today's Red Eye.

January 10th, 2008

Doctor Atomic.

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I saw the John Adams opera Doctor Atomic (libretto and direction by Peter Sellars) last night at Lyric Opera.

It's the story of the Manhattan Project in the days and hours leading up to the Trinity test of the Atomic Bomb in June 1945.

It was fantastic! I absolutely loved it!





January 5th, 2008

Play.

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Love, Betrayal, Retribution, Opera.

A new one-act play presented as part of Bailiwick's January 2008 Director's Festival
January 14, 15 and 16, 7:30pm
Tickets for the three-play evening are $10

Bailiwick Repertory Theatre
1229 W Belmont Ave, Chicago
773.883.1090
Bailiwick.org

La commedia e finita.
By David Alex
Directed by Brandon Hayes

with
Aaron Michael Adamkiewicz
AJ Durand
Jeffrey Fauver

Marc Nicholson, tenor

Sound Design by Noah Powell

Stage Managed by Lauren Platt Baker

January 4th, 2008

Yay!

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crouching boy
This is a beautiful statistic from tonight:

Percentage of total vote

24.5% Obama
20.5% Edwards
19.8% Clinton
11.4% Huckabee (R)


All three of the Democrats each placed well ahead of the Republican winner.

And Hillary Clinton came in third. It is a repudiation of Clintonian triangulation and the fucking Iraq War.

Even if you don't win the nomination, Johnny, you go out there with your Progressive message and stomp Hillary. This could well be a year like 1932, which swept FDR into office, and we need an FDR, not a Clinton.

January 2nd, 2008



JOHN EDWARDS FOR PRESIDENT

January 1st, 2008

2007: A Year of Reading

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crouching boy
Goodbye 2007, Hello 2008.

Just in time for going back to work tomorrow, here is my 2007 Year in Reading book list, ranking my best reads for 2007 (the only qualification is that I had to have finished reading the book for the first time in 2007). (Here was my 2006 list.)



Brandon's Top Ten Best Reads of 2007:

01. Collected Poems by Federico Garcia Lorca.

Although I'd read lots of Lorca poems before, this year I worked through the complete poems (such as we have) in a bilingual edition. Several of his books of poetry could top a "best of" ranking (particulary Gypsy Ballads and Poet in New York), but taken as a thunderous whole, they were spectacularly my best read of 2007.

02. The Door by Margaret Atwood.

Published in the fall, The Door was Atwood's first book of new poetry since 1995, and the poems were well worth the wait. Even the titles conjure up some delicious themes, concerns and images: "Europe on $5 a day," "Owl and Pussycat, some years later," "War photo 2." Just as Moral Disorder spanned a life (semi-autobiographically) in prose, The Door concerns itself with a life, from a little girl fantasizing about gasoline from an outboard motor to old age as a closing door, providing a summation of many of Atwood's ongoing themes.

03. Negotiating with the Dead: A Writer on Writing by Margaret Atwood.

Based on a series of six lectures delivered at Cambridge after she won the Booker for The Blind Assassin, Atwood takes us on a rolicking philosophical journey through the indignities, rewards and tumults of the writerly life.

04. A Short History of Myth by Karen Armstrong.

At only about 150 pages, this is a very short history of myth indeed. But it is absolutely brilliant in its economy of language and in the way it presents the development of mythology (including the monotheistic religions) as an organic process. It ends up being sexy too. Just inspiring.

05. Dancing Girls by Margaret Atwood.

Originally published in 1977, Dancing Girls was Atwood's first volume of short stories, and it is stunning...from a hilarious monologue "Rape Fantasies" to a disturbingly memorable story of the descent into madness set among PhD students at the University of Edmonton ("Polarities") to explorations of identity and nation ("The Man from Mars" and "Dancing Girls"). I read it early in the year (along with some other Atwood short fiction) and kept finding myself wanting to return to particular stories...and invariably the stories I'd be thinking about were in this collection.

06. The Edible Woman by Margaret Atwood.

In Atwood's first novel (from 1969), the closer a young woman comes to marrying her fiancee, the less able to eat she becomes. While the setup may sound a little trite, the execution is dazzling. The characters are strikingly and sympathetically rendered, as is the milieu of a backwater Toronto of the early to mid-1960s. In addition to the central character Marian, the odd grad student Duncan (who reminds me of Nathaniel) stay with you after the book is over.

07. Sodom and Gomorrah: In Search of Lost Time, Volume 4 by Marcel Proust

In part four (which is as far as I've gotten since I'm waiting on the final three volumes to come from Britain) of In Search of Lost Time everyone finally gets gay. It was the volume I was waiting for as I read through the hundreds of pages of the first three volumes, and the payoff (a portrait of sexual and emotional obsession) is great...as is the cliff hanger ending. The Captive, The Fugitive and Finding Time Again are on my 2008 reading list.

08. Interpreter of Maladies by Jhumpa Lahiri

Published in 1999 (and winner of the Pulitzer Prize), I'd actually never heard of it until I got it as a gift. The opening story ("A Temporary Matter") about a young Indian couple in Boston reeling from a miscarriage was the hook, but my favorite story in the collection was probably "Mrs. Sen's," an Indian wife's struggle to adjust to life in the US as seen through the eyes of the little boy she babysits. The entire collection is filled with delicately rendered portraits of Indian and Pakistani immigrants (or children thereof) adjusting to the US.

09. Dancing in the Streets: A History of Collective Joy by Barbara Ehrenreich.

Ehrenreich had planned this follow up to Blood Rites for years, but a little project called Nickel and Dimed got in the way. Here, Ehrenreich gets back to her social history roots and examines dancing, trances, voodoo, charivaris, bacchanals and other moments of group ecstatic frenzy...and the gradual (and troubling) loss of these practices (reduced now to rock concerts, raves and sporting riots). Her examiniation of Jesus and Dionysus is first rate, and she makes a convincing argument that we need to cut loose with our neighbors every once in a while. Delightful.

10. Don't Get Too Comfortable by David Rakoff.

David Rakoff is the funniest gay guy on NPR since David Sedaris. But where Sedaris skewers himself, Rakoff skewers us, as only a gay Canadian Jew who became an American citizen because of George W. Bush can. While the book is very, very funny, it is also socially biting as Rakoff aims his wit at modern consumer culture. (The book is subtitled, "The Indignities of Coach Class, the Torments of Low Thread Count, the Never-Ending Quest for Artisinal Olive Oil, and Other First World Problems.")

Honorable Mention: In The Continuum by Danai Gurira and Nikkole Salter

While the two-woman play about a young woman in Los Angeles and a working mother in Harare, Zimbabwe who both find out they are HIV-positive doesn't leap of the page to read, it was the best thing I saw onstage this year.


The Runners-Up (alpha by author):

A History of God by Karen Armstrong

Lady Oracle by Margaret Atwood

The Robber Bride by Margaret Atwood

The Complete Poems by Hart Crane

Blood Rites: Origins and History of the Passions of War by Barbara Ehrenreich

The Line of Beauty by Alan Hollinghurst

The Echo Maker by Richard Powers

Swann's Way: In Search of Lost Time, Volume 1 by Marcel Proust

In the Shadow of Young Girls in Flower: In Search of Lost Time, Volume 2 by Marcel Proust

The Guermantes Way: In Search of Lost Time, Volume 3 by Marcel Proust


The Other Things I Read in 2007 (alpha by author):

Rabbit Hole by David Lindsay Abaire
La commedia e finita. by David Alex
Morning in the Burned House by Margaret Atwood
Life Before Man by Margaret Atwood
Rude Ramsay and the Roaring Radishes by Margaret Atwood
Bodily Harm by Margaret Atwood
The Circle Game by Margaret Atwood
Second Words: Selected Critical Prose by Margaret Atwood
Up in the Tree by Margaret Atwood
Selected Poems II: Poems Selected and New by Margaret Atwood
Selected Poems by Margaret Atwood
Survival: A Thematic Guide to Canadian Literature by Margaret Atwood
Everything is Illuminated by Jonathan Safran Foer
Oedipus Complex by Frank Galati
Memories of my Melancholy Whores by Gabriel Garcia Marquez
The Cook by Eduardo Machado
Passion Play: a cycle in three parts by Sarah Ruhl
The Commitment: Love, Sex, Marriage, and my Family by Dan Savage

Happy New Year!

December 12th, 2007

Plans.

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crouching boy
Attention: I'll be in Michigan from Saturday, December 22 until Tuesday, December 25. I will have family obligations during the day on Sunday, the evening on Monday, and the morning on Tuesday.

November 7th, 2007

Tori at The Vic.

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crouching boy
Went and saw Tori Amos playing at the tiny venue The Vic at Belmont and Sheffield.

Best rock concert I've ever been to. (Still second favorite Tori concert, though.)

She swore her way through "Cruel," did push ups at the edge of the stage and simulated sex with her mic stand during "Fat Slut," and started "Smokey Joe" on her knees in front of the piano.

Then she played her a capella rape confessional "Me and a Gun" with her band (for the first time ever), and rubbed a butcher knife against her thigh, held a gun to her head and then pointed it at the audience.



The rest of the concert was a pretty hard core rock set.

Setlist:

(In costume as "Pip")

Cruel
Bliss
Teenage Hustling
Fat Slut
Smokey Joe
The Waitress
Me and a Gun (rock version)

(As Tori)

Big Wheel
Sugar
Almost Rosey
Cornflake Girl
Liquid Diamonds
Caught a Lite Sneeze

Winter
Improv/Happy Phantom

Digital Ghost
Hotel
Code Red

Precious Things
Bouncing Off Clouds

Hey Jupiter

October 12th, 2007

Delightful!

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crouching boy
Congratulations, Al Gore!

October 11th, 2007

Good Theater.

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crouching boy
Last night I went to the opening of New Leaf Theatre's new production of A.R. Gurney's 1982 play, The Dining Room. The play is a series of vignettes of American life centering around the space, furniture and emotional focus of the dining room.



I had not planned on going (a friend suggested I join her), but I am wildly glad I did. It was funny, touching and beautifully acted. The central directorial conceit (of director Jessica Hutchinson) of using no props, yet having the sounds of clicking tea cups, rattling plates, clinking ice was brilliant. Nick Keenan's sound design was a character itself.

I definitely want to go back and see it again during its run. (Bonus: $10 industry tickets.)

Costumes Anyone?

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crouching boy
Looks like Goodman Theatre is having a costume sale.

October 4th, 2007

Cool.

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crouching boy
I met Paula Vogel last week.

October 2nd, 2007

Pushing Daisies

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crouching boy
I'm amused by all the ads for the new ABC show Pushing Daisies.



Maybe it's the title.

Pushing Daisies.

September 16th, 2007

Fiddle.

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crouching boy
The final, spectacular set piece in Passion Play uses Yo-Yo Ma's lovely, melancholy recording of "Appalachia Waltz" as its underscore. It's quite moving, actually.

September 3rd, 2007

Photo.

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September 2nd, 2007

That's Cute.

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NPR's On the Media just used "Shadows" by Rufus Wainwright as its outtro music for a story about media coverage of closeted homo nee US Senator Larry Craig.

September 1st, 2007

Photo.

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